|Tamara Woodard-Carlson works out the chest and neck snaps. In this shot you can see the puppet-mover that was fabricated and welded together by Spencer Whynaucht. This configuration shows the puppet mounted from underneath. The puppet was able to mount from several different places depending on where camera was to be in relation to it. A mounting plate was also made to allow a sitting pose without any visible support; the plate rested flat on the ground and was hidden under the long body hair.|
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